Saturday, February 8, 2014

Here in the jungle life of the city...LOVE

Hello people of Earth. I am alive and well and living on your planet. Those of you who follow my work know that it takes the lifespan of a Galapagos turtle for me to complete a comic. I thank you for your patience. Soon you will be rewarded for your efforts. You'll get what's coming to you. All that you have earned...

(Sound of a gunshot equipped with a silencer)

No... I'd never do that to you. We're friends, aren't we? You trust me, don't you?

Here's what I guess you'd call a teaser for my next comic.

These are actually tiny, microscopic panels from my comic. These days I'm drawing things on a microscopic scale in the vain hope that it'll speed up my process (it hasn't). Actually, I'm just trying to squeeze every last drop out of every page. Actually, it's just a compulsive thing I do. Actually, my drawing is just getting more and more anal in my old age.


Here's a couple comic covers  by Jack Kirby that I like that are an influence on this story. Especially the woman in the white rabbit outfit.

A book came out last year that I'd been wanting to get my mitts on since my tender teen years: The Adventures of Jodelle by Guy Peelaert. It did not disappoint- an essential book for comics lovers. The book includes examples of his other comics work. Here's a page I really love.

Peelaert is tied to so many cool pop cultural things. The book introduced me to France Gall, who I've been listening to compulsively.

Some of my favorite tracks of hers are Cet air-la, Musique, Der Computer No 3, and Laisse tomber les filles which April March covered as Chick Habit and played at the end of Tarantino's highly underrated Death Proof.

Another book that came out last year was The Strange Tale of Panorama Island by Suehiro Maruo, who's long been one of my favorite manga artists.

Panorama Island seems to be his most sophisticated work yet. The book is loaded with beautiful details that reward the astute reader.

Here's a mysterious and seemingly benign splash panel of an empty room with a vase.

Later on in the story we see this room again and if you look closely you'll notice that the vase has changed.

Panorama Island tells the story of a struggling mangaka who kills his rich look-alike and takes over his life. The change in vase is such a sophisticated and subtle way of showing this to the reader, and an incredibly subtle payoff to the earlier panel. This is the level of minute detail that I strive for in my own work. 

Of course, it's extreme imagery that Maruo is most known for. His earlier book Mr. Arashi's Amazing Freak Show is easily one of my all-time favorite manga. Although it's filled with his trademark extreme imagery, it's the sequence of a man sneezing twice that I found most disturbing.  Here's a couple pages from that book.

I was also reading some of Tatsuo Yoshida's Speed Racer. Here's the cover by Mitch O'Connell.

And here's a sequence of Speed being a badass with a rifle.

Also, I thought I'd share these G.I. Joe pages by an artist named Paul Kirchner. It's almost what G.I. Joe might look like if it was drawn by Tim Hensley.

Kirchner's an interesting artist. He's got a very clean Wally Woodesque style that I like a lot. He did a crime graphic novel back in the 80's called Murder By Remote Control- which is something of an anomaly for its time. It's an interesting book.

The Comics Journal recently did an interview with him.

Anyways, I think that's all I'm gonna' share for the time being. I'll try not to wait too long before I check in again.